Description: Binti, of the Himba people, is the first of her kind to be offered a chance to attend Oomza University – which will require her traveling to another planet to study among strangers who don’t respect her or her customs. But Binti is up for the task, wanting to learn. Even if it means crossing paths with the Medusa, an alien race that is at war with the University.
Why I recommend this book: First, a SciFi book that is not European in origin/mythology/folklore/etc. – sign me up. I was excited to jump into a SciFi/Fantasy world set from Africa. Also, as a note, though I am writing this review of only Binti, I recommend the entire trilogy, including Home and The Night Masquerade. Okorafor does in seventy-four pages what most writers can’t do in hundreds. She has built an entirely new world, new magic system, wars even – not to mention an enriching and satisfying character arc for our main character.
Okorafor writes beautifully, laying out the system in a way that is easily understood, even in its complexity. The story itself, including our main character Binti, is utterly captivating – I read it in one sitting not because it was short, but because I couldn’t put it down. I then immediately requested the other two from the library (and gobbled those up, too). If you’ve never tried a non-European-based SciFi/Fantasy story, give this a try. It’s only seventy-four pages. What do you have to lose?
“They say that when faced with a fight you cannot win, you can never predict what you will do next. But I’d always known I’d fight until I was killed.” ~ Nnedi Okorafor, Binti
Not gonna lie, I’m not a huge fan of the summer months. I don’t like hot, humid weather. I’m allergic to everything that blooms. And I have to douse myself in a gallon of sun block any time I’ll be outside. You’re probably thinking I’m joking, but let’s just say this comic by the talented Sarah Andersen made me feel seen:
Artist: Sarah Andersen, Jun 18, 2016, embedded from Instagram (Click to see original post)
But there’s one thing that happens every summer that I look forward to (well, two if you include the drive-in theater opening up): I love a Farmers’ Markets. Specifically the Wednesday market on Broadway where I live. (Though I’ll hit up any market – I do not discriminate.)
I started attending this particular one a little over twenty years ago when I’d visit my friends who had a joint booth (they were just starting out as artists and selling their stuff – and they had a prime spot upwind of the kettle corn booth🤤). The market has changed a lot since then, but it’s still my favorite GB summer event.
Our market brings together (mostly) local produce (our blueberries come from Michigan 🤷🏻♀️), as well as artists, artisans, and music. I tend to go downtown first thing in the morning and write until the market starts up, walk the booths, and then find a spot to sit and read while listening to some live music. And I get to do this every single week. ❤
Well, except that one week when I had just sat down and opened my book – and tornado sirens went off. But hey, at least I had already bought my kettle corn. 👀😂 (And the tornado didn’t show up.) We’ve had two markets so far this summer, and it’s rained at both of them. The weather has become a bad over the years – Oh, it’s raining? Must be time for the Wednesday Market.
Do you have markets in your community? If so, what’s your favorite find there?
On a day near the end of March, I was driving, and an idea came to me (I have a long commute, so this is not unusual). “They” say (there was a study that I read that I can’t find – but I’m still looking – so thus the air quotes around ‘they’) that we do our best creative work not when we are “at work” or “at rest” – but somewhere in the middle. In other words, sometimes, we can’t force ideas when we are sitting in the chair trying to create; but also that we aren’t necessarily going to find them if we just stop doing anything at all.
Instead, we need to be somewhere in the middle. This is why we tend to come up with THE BEST ideas when we are in the shower or doing the dishes or, yes, driving. Back in the day, I used to pull over on the side the shoulder of the highway, turn my flashers on, and grab the notepad that had taken up permanent residence on the passenger seat. Thankfully, these days, I can simply say “Hey, Siri, take a note” – and then dictate with the most over-exaggerated enunciation ever (and hope that he got it and that it will make sense when I arrive wherever I am going).
That day in March, I was driving through a storm (thankfully a rain storm and not snow), and an idea struck me. Well, a phrase struck me. “Hey, Siri…” I got to work, pulled out my phone, and checked the note. Then I scribbled down (old-school like – you know, with paper and a pen) a few more ideas. And then I found I couldn’t wait to tell my writing buddy about it (he liked the idea, which only bolstered the pushiness of it). I told him that I was going to wait for summer to write it, but the next day, at Kavarna for my weekly writing day, the idea would NOT SHUT UP. “Pay attention to ME!” it cried. So I texted my writing buddy that I don’t think I would last until summer (sorry murder mystery).
Sometimes, an idea strikes, and it just won’t let go until you get it down. Sometimes, it’s enough to create a notes doc and jot down the idea so that I won’t forget it. Others, an outline will spill forth. But this little idea? It refused to be anything less than a full draft. Thankfully, it’s for a picture book, so we’re talking less than 1K rather than a full 80K novel.
It’s just all so strange – ideas. The way one can take hold and just not let go. While another will wait patiently for its own turn (looking at you historical fiction novel). Have you had an occasion like this where you weren’t able to concentrate on anything else until that one idea made its way to the page? What are your tricks to try and info dump and hope for that idea to wait its turn? (Or are you someone who can write/thrives with multiple projects at one time?)
This summer, I finally get to be that teacher – the ones people always throw in our faces when we ever dare to ask for a raise. The ones that get the ENTIRE summer off. *gasp*
I just finished up my sixteenth year of teaching (also, how did that even happen? I just started a couple years ago, right?), and this will be only the second* time I won’t be teaching over summer. Like most teachers, I’ve always taught summer courses because I needed to – I needed the money. At first, because I didn’t make enough during the academic school year to live on without doing so. Later, because I’m a home owner, and things break. (Can we talk about how ridiculously expensive windows are to replace…?)
No, this is not a woe-is-me post – just an honest one. I said all that in the hopes that people understand the relief I feel knowing that for three whole beautiful months, I finally get to put work aside. (Well, some of it. I do have a new course to create for fall, so there will still be work.)
Teachers are supposed to love every moment of their jobs – it’s supposed to be a calling. So whenever we dare to admit it’s hard or that we need a break, we’re told, essentially, to suck it up – because we get summers off. How bad can things be?
Well, after sixteen years, I can tell you that it got bad. We are still seeing the fallout from the pandemic in our classrooms, all the while expectations of our time outside the classroom continues to rise, not to mention students who cannot put their cell phones down for a seventy-five minute class – oh, and Generative AI popping up like the worst game of whack-a-mole ever. (It also doesn’t help that according to the Bureau of Labor Statistics**, teachers on average were making, when adjusted for inflation, $9,499 less in 2022 than they did in 2000. Starting teacher salaries, according to the NEA**, last year were $4273 below 2009 levels.) A lot of folks got burned out and couldn’t take the time they needed to recharge – and many will push on to teach summer to make sure they can pay their bills.
I feel grateful that I’m at a spot (again – after teaching for sixteen years) where I can finally take a summer off. And I may have told some folks they could slap me if I took summer classes. (Because I may have stated that I wouldn’t teach for the past few summers, only to have something happen that required that I do so.)
Well, my face remains slap-free. I’m about to recharge.
… 👀
But now that it’s here, I’ll be honest – the panic has set in. I am one who thrives with routine (even if it switches up every semester), and I’m looking at three whole unscheduled months ahead of me. Likely, that sounds like paradise for some folks. For me? 👀
As a tunnel vision worker (I’d rather take a day and knock out a big project than do a little bit every day), I’m opting to assign full days. Mondays and Tuesdays will be creating that course (through mid-June if I can stay on track of my schedule – not sure yet about after that 😬), Wednesdays and Fridays will be writing days (with the added bonus of the Farmer’s Market on Wednesdays), and Thursdays will be for home care tasks (I may be scheduling week-specific deep cleans for every room in my house 🤦🏻♀️🤣). The main goal is to end the summer recharged and be ready to walk into the classroom in August.
How do you do with unscheduled chunks of time? Are you someone that thrives by tossing the planner aside, or does having that much unscheduled time also make you itchy?
*The only other time I took a summer off of teaching at my college was the summer I went to Kenya – because I literally couldn’t teach for them, even online (where I was, I didn’t have access to internet). That being said, I went to Kenya for the purpose of teaching. ¯\_(ツ)_/¯ (I did teach online while I was assistant directing the study abroad to Costa Rica because I didn’t get paid to oversee the program.🤷🏻♀️)
I’ve been hitting some milestones lately that have felt…unreal. Impossible? I’m in my sixteenth year of teaching – but I swear I’ve only been at my college for a few years. I’m also coming up on twenty years since I graduated from undergrad (the specific date is three days from now) – and given the amount of time I had spent waiting for the day to arrive that I’d get to leave home and go to college, this anniversary feels surreal.
It also made me realize that I’m coming up on another twentieth anniversary – with my favorite cafe. At the end of my final semester of college, I met someone who has became a such dear friend of mine, my Ashley. At the time, she was vegan, and there weren’t a lot of places we could meet out and about. Enter: Kavarna.
At the time, the cafe had been open at it’s original location for several years – Linda Bengston (later Galt) opened the cafe in November of 1999. As I didn’t have a car during college (and campus exists on the outskirts of the city), I didn’t really get to explore much until after I graduated, so I never had the chance to stumble upon it until Ashley first introduced me to it. (She has since introduced me to SO many amazing places, but this remains my favorite.) Back then, it was located a few bocks from where it is now, which had been a tiny spot that barely fit ten small tables but had the most beautiful tin ceiling. You had to be lucky (or really good at hovering) to nab one of those prime spots. The food was delicious, and while I didn’t yet drink coffee, Ash’s endorsement was all I needed to know it was good.
These days, it’s hard to imagine the Broadway district without this cafe, but when Linda first opened it, the cafe was one of a kind. Vegetarian/vegan options were rare on most menus – let alone having an entire establishment based around the concept. (As she notes in an interview with the GB Press Gazette, there were folks who wouldn’t come to the cafe because there was no meat on the menu. I can attest to this when my mother-in-law cracked a joke, requesting that we find somewhere with “real” food rather than return to the cafe for lunch. Linda took this in stride, and there is even a nod to this with the Rabbit Sandwich – which has “English cucumber, tomato slices, Heritage Blend mixed greens, and house dressing served on Great Harvest Oregon Herb toast.” Literally what I had for lunch today.)
On May 7, 2010, Kavarna closed up for the last time at their first location, moving a few blocks up Broadway to a much larger location (three tiers with many more tables, with room to host musicians and, later, roast their own coffee beans). The delicious food, genuine hospitality, and mosaic counter all made the trek. (Photos below from the Kavarna Facebook show what the new space looked like in 2008 before they started renovating, as well as a close up of the mosaic counter.)
When I didn’t live in Green Bay, anytime I visited the city, I had to stop and pick up some Kavarna hummus (they sell it in one pound tubs), and there are often requests for it from friends I visit who have moved away. And any time I’ve lived in the city (this is, officially, my third time living here), I would frequent the cafe like a home away from home. I’ve spent a lot of time writing here, fueling my writing with Cheesy Artichoke Wraps and tea or coffee (depending on the time of day). Good chunks of my first novel were written here. My second and third would have, too, but COVID hit.
And you want to talk about bad timing? After twenty years in business, Alex and Linda Galt decided to sell Kavarna. Kayla Viste and Mike Hastreiter took over in February of 2020. That date should probably sound familiar. These two folks probably thought their worst obstacle would be settling into this established, beloved cafe – and then a month later, they had to shutter their doors and figure out how to weather an unprecedented storm.
Thankfully, they did manage (soon offering curbside pick up, of which this writer took advantage), and once it was safe, they opened little by little. Today, much like that mosaic counter, Kavarna still stands; even with new owners (well, not really new anymore 🙂), the heart of this place remains.
One thing that I particularly enjoy about the changing of hands is the fate of it. Both Kayla and Mike had previous experience with Kavarna (as a job and as a hangout, respectively). They had come to a decision to purchase a business, and it just so happened that Karvana had become available. Something similar happened with my own family when we made our move from a Chicago suburb to a small town in Door County, where my parents became business owners themselves. Sometimes, things just work out – and in the case of Kavarna, that is the case.
As for me, I’m just happy this place is still around all these years later. No matter where I’ve lived or traveled, it remains my favorite. In fact, I’m writing these very words on one of my many Friday writing days spent at the cafe.
Wondering about that name? “Depending on how it’s used, Kavarna (Czech) translates to mean café, coffeehouse, or coffee bar. This is only a small part of what Kavarna really is.”
Description: In their first collection of poetry, Gibson covers topics like a soldier’s lingering psychological wounds, childhood bullying, the repercussions of assault, and love. They do so with “a bold and unforgettable internal voice rich with the kind of questioning that inspires action,” all with unflinching honesty. Gibson leaves it all on the page.
This collection holds twenty-six poems, mostly free verse. These are poems that Gibson also performs, so the style can sometimes be off-putting for some. That being said, Gibson’s use of language, while often straightforward (as is common in performance) is also incredibly poetic/figurative – and whether reading or listening, it’s easy to hold on.
Why I recommend this book: There are poems in this book that still give me goosebumps, even after reading them dozens of times and hearing Gibson perform them over and over. Don’t just take my word for it – whenever I include work by Gibson in my poetry class, my students always react by asking for more.
If you are someone struggling, and can’t stand the platitudes often espoused as a result that are ‘supposed to make you feel better,’ Gibson is your poet. While they come to these difficult topics with grace, tenderness, and, often, joy – they don’t do so condescendingly. They offer a different viewpoint that allows for both sorrow and joy to sit side by side.
I also recommend the rest of Gibson’s books. Often times, the first collection is the most interesting because the writer has spent the most time writing and revising it before publication. The rest can often feel hurried. That is not the case with Gibson – they just get better and better. I merely chose this one because it was Gibson’s first, and my first of theirs.
“Andrea Gibson does not just show up to pluck your heart strings, [they stick] around to tune them. If being floored is new to you, ya might wanna grab a cushion. Beware the highway in [their] grace and the crowbar in [their] verse.” ~ Buddy Wakefield, author of Stunt Water
“I thought, ‘The flowers, save the flowers…’
I never thought for a second we wouldn’t save the people” ~ Andrea Gibson, Pole Dancing to Gospel Hymns
“Because anyone who has ever sat in lotus for more than a few seconds knows it takes a hell of a lot more muscle to stay then to go.” ~ Andrea Gibson, Pole Dancing to Gospel Hymns
My favorite lines of Gibson’s (click the link for a YouTube video of their performance):
“and I know my heart is a broken freezer chest ‘cause I can never keep anything frozen. So no, I am not “always crying.” I am just thawing outside of the lines.” ~ Andrea Gibson, “Letter to a Playground Bully from Andrea (age 8)“
I remember when St@rbucks first became popular. I’ll admit, I was super judgy of folks who went there that had complicated drink orders. I didn’t even drink coffee at that point, so I had no clue what a bone dry cappuccino or a half-caff double-shot soy caramel macchiato even were. Honestly, most of the orders I’d overhear sounded like a foreign language.
How little did I know of this world? A café in town had a chai frappe on the menu, and I love a chai, so I asked – what does the frappe part mean?
Barista: It’s like a coffee frappe but with chai. Me: [blank stare] Yeah, I don’t know what that means. [laughs awkwardly at self]
That was the day I learned that frappe means a blended drink. This is a word I would end up saying a LOT in my future, usually with the word ‘mocha’ attached to it.
Back then, I just didn’t get it. Why did something you drink need to be sooo complicated?
And then, one day, I heard the following string of words spill from my mouth: grande chai tea latte with soy milk and no water. (Back in the day, St@rbucks would add water to their chai concentrate.) I remember saying it…and then it hitting me. I had a complicated drink order. I was no longer a simple water and tea bag kind gal. And once I started drinking coffee, it only got worse.
And then, I finally stopped judging myself (and others) for it. Because what’s wrong with ordering something you know you will like? (So long as you are kind to the barista when doing so.) Or something you need (a lactose sensitivity snuck up on me in college). I’ve still not ever had a cappuccino or macchiato, but thanks to the chalkboard drawn up at my fav local coffee shop (looking at you, Kavarna), I at least know what they are without having to ask. 😂
I don’t remember what this was, but there was strawberry in it.Chai Latte with Cherry Cold CreamGinger TurmericIced Raspberry Green TeaIced Cherry MochaI also don’t remember what this was – but I remember it was tasty.Rose Rooibos Latte (hot)Rose Rooibos Latte (iced)Cold Brew
I will say that black coffee or steeped tea is still my ‘go to’ most of the time (followed by a chai latte or mocha when I want something a little extra), but I do enjoy trying new things. I really love that flights are a thing, too.
Latte FlightCoffee FlightCocoa Flight
Are you a complicated drink order-er? What is your fav?
I think one of the trickiest things about self-publishing is figuring out what to charge for your book. (Well, that and trying to summarize an 80,000-word novel into a couple-hundred-word blurb. And don’t even get me started on log lines…) A few years back, I wrote up a series of posts that went over everything I had learned through the self-publishing journey. I have to imagine at this point, the Royalties post is outdated due to rising costs, but the sentiments are still there.
The first thing you’ll want to do is stop by your local book shop (ooooh noooo…) and take a look at other books in you genre. What are they charging? What seems to be average? Consider, also, the length of your book compared to theirs. The longer the book, the higher the printing costs. Also, be aware that depending on your print on demand (POD) company, they will have a minimum you can sell it for (since the price will need to, at a minimum, cover printing costs/fees – each company varies in their costs, so some research is necessary).
You will also need to check with your state’s Department of Revenue (DoR) to see if you are required to have a seller’s permit. I was recently invited to participate in an event that required one. The permit in my state (Wisconsin) is twenty bucks, which covers two years, with a renewal cost of ten bucks, which also lasts two years. I wasn’t thrilled about the added cost to the event (since they were charging forty bucks for the booth…), but I went to investigate anyhow. In talking with the person at the DoR, however, they noted that I didn’t need a permit unless I sold more than two grand a year in sales. Now – every state will have different laws, so make sure you check into whether or not you might need one and how much it will cost. Factor things like this into the price for selling your book and attending events.
So what goes into the cost of a book?
First, does your POD charge for creating an account or to upload the file? (For example, one particular company used to charge forty-nine bucks to upload a book for print, and then they would charge the same cost every time you need to re-upload it, such as you found errors or made other changes). They have since changed this – they now do not charge for the initial upload or for any changes made within the first sixty days; then it’s twenty-five bucks per ‘revision’ (or upload). Other companies never charge for the uploading or re-uploading of files.
The next part is the printing of the book. Many things will go into the cost: size (6×9 is most common these days, so I’ll use that in this example), number of pages (let’s go with 300), whether the interior is black and white or color (most novels are B&W), if you want to print on the inside of the cover (I did not), and how quickly you want it printed (this particular company’s lowest price point means it will be printed in up to five business days – you can pay more to get them faster, as there are two-day and a one-day options, though that will cost you $6 and $7.09 per book). For all of the choices I made above, printing the book will cost $5.45. (A second company with the same criteria came to 4.60. A third is 4.84. In other words, do your research. You can probably guess what company was the cheapest cost – but cheaper doesn’t mean better. Also, that cheap version is from a company that most local bookshops will not buy from, so keep that in mind**.) There are other decisions to make that won’t affect the cost, such as what paper you want to use and whether you want the cover to be gloss or matte.
You will also need to take into account what it will cost to ship those books to you. At the company I’m using above, to ship one book to my area (obviously shipping will depend on where you live), it would cost another $3.49 (this is for their basic shipping, which is SLOW and has no tracking, so not the best option – if the shipment never arrives, you have no recourse; I do their standard ground because I’m shipping to a residence and it provides tracking – however, this is $9.69 for a single book – not at all great. If you can buy in bulk, the cost of shipping will, of course, go down per book. At this particular company, I found that ordering fifty copies was the most economical to ship. At fifty copies, it would cost $38.99 for standard ground, which comes down to $.78 per book. They also have two-day and next-day, but the price to ship fifty goes up to over five and over fifteen per book respectively.)
Don’t forget the sales tax (and, yes, you should be declaring any book sales as income on your taxes each year – so make sure you develop a way to track your sales and compensation, as well as all business expenses – save every single receipt). Each state, city, county, etc., will have their own sales tax, so you will need to figure out what they are for where you live (things will get more complicated if you are selling in other areas/states. I am not a tax accountant; you’ll want to talk to yours. For the purpose of this post, I’m speaking in generalities of what I’ve learned). For example, my state has a 5% sales tax, and my county has an additional .5% – so I would need to collect a 5.5% sales tax.
And last, the IBSN. I didn’t take this into account per individual book what this will cost, because you have it for the life of the book. But for most PODs, you will need to purchase and provide the ISBN (there is one in particular, the one small shops won’t buy from, that will provide you an ASIN, but that is not transferable. If you want to sell through anywhere else, you will still have to buy an ISBN. Also, you will need an individual ISBN for each version of the book – ebook, paperback, and hardcover – as well as any new editions that you may publish down the road.) I was given Bowker as a recommendation, and I did end up using them. Please know that ISBNs are not cheap – and it is better off if you can buy them in bulk (but, again, that is if you can afford to do so). At the time of this writing, one ISBN was $125. And remember – you need one for each version. You can buy in bulk – 10 was $295, so a significant savings. 100 is $575. There is an option to buy 1,000, but unless you are a publisher, that’s definitely on the extreme side.
Ok – let’s say that I did my research, and the typical price for my genre/page count is 15 bucks. Selling my book directly from me to a customer will get me the highest royalty: Total – printing – shipping – sales tax = royalty 15 – 5.45 – 3.49 – .83 = 5.23 (if I bought one copy) 15 – 5.45 – .51 – .83 = 8.21 (if I bought fifty copies) It’s understandable that not everyone can afford to buy bulk in advance – it’s also a risk because you don’t know how many you will sell. If I buy ten and sell ten, I’m ahead. If I buy fifty and sell ten, I’m at a loss. Also, make sure you consider costs involved with making that sale – including your own time. If you go to an event, you may have a booth fee and that seller’s permit fee mentioned above.
Now, five to eight bucks per book probably sounds GREAT. However, consider that most of your sales likely won’t come in this manner. Another option is that your local bookshop might carry your book (and may even hold a launch event or reading). This is great. If they buy from you, meaning they will take your book on consignment, you will print/ship the book to yourself and then hand over some copies to them; if the book sells, they will send you the royalties. Most bookshops will ask for a 40% cut. So if your book is 15 bucks, you get nine bucks, and they get six. But remember – your shipping and printing cost comes out of your cut. If you bought in bulk, and your book cost $5.45 to print and $.78 to ship (in this scenario, the shop would collect/deal with the sales tax), you will figure royalties like this: (15*60%)-5.45-.78 = 2.77
Another option with local bookshops is that they can order directly from a POD (this is why it’s important to pay attention to which you use – there is a particular company small shops won’t buy from). In this instance, you don’t have to worry about paying for anything up front*. The shop will pay for shipping and handle sales tax; the printing cost comes out of your cut. The bookshop will take 40% of the sale. BUT – the POD will ALSO take a cut because they are acting as a distributor in this instance. In this scenario, you will have to set the ‘discount’ (i.e. the price the bookshop will pay). When using this same company, you have to set it as 53-55% (your cut is reduced to 47-45% – obviously, setting it at 53% is the best option for you). The plus is that you get the royalty when the shop makes the purchase*. (15*47%) – 5.45 = 1.60 (there is no reason to set at 55% – don’t give the POD extra thirty cents)
So when it comes to local-to-you bookshops, it’s a better margin to get the copies yourself and work on consignment. The OTHER reason it’s better is that if the book doesn’t sell, you can get it back at no cost (aside from the travel to that shop to pick it up).
*If they buy from the POD company, and it doesn’t sell, if you have your book set up as allowing returns, you are on the hook for reimbursing the POD for that cost. You have the option to have it returned to you (you pay shipping and print costs, though you can hopefully turn around and sell it) or have it destroyed (you still pay printing costs).
This return policy may not be a huge deal if it’s only a book or two. However, this particular company pushes wide with distribution – you will be on every book-selling website that allows it. Those companies may opt to buy more copies than they actually sold to save on shipping costs for them. If those then don’t sell, and they return them, you’re on the hook. (You can read about this more in my Seventeen and Seventeen: Part Two posts.) You can opt to put ‘no’ for returns, but they warn that this might stop bookshops from ordering your book at all.
One more thing to think about if you are selling direct is what ways you will accept compensation. Obviously, cash is the easiest (assuming you have money on you at all times to make change). However, these days, folks don’t always carry cash – so you will need to consider your other options. Venmo (and others like it; I do use Venmo, but, no, this is not an ad, and I’m not getting anything for mentioning them) allows you to transfer money, and if you do it certain ways, you don’t get charged fees, which would eat into your royalties. (By certain ways, I mean things like – when you transfer from Venmo to your bank account, if you’re ok waiting a couple days for the money to show up, then you don’t get charged. They would charge a fee for an instant transfer.) Also, consider if you would you take a check (if you don’t know them personally, make sure you get a phone number in case the check were to bounce) or credit cards.
I recently learned how easy Square is to use (again, not an ad). In downloading the app, I found out that you don’t need to buy the little square to plug into your phone (they will actually send you one for free), and if you have an iPhone and the card has a chip, they can tap to pay with the Square app right on your phone (no device needed). There are fees with this, however – 2.6% + 15¢ (or .54 for a $15 book) for magstripe card transactions (i.e. swiping using the device), chip card transactions, and contactless (NFC) payments. They also charge 3.5% + 15¢ (or .675 for a $15 book) for manually entered transactions (where you have to type the number into the app). So take all of this into consideration for how often you might use the thing. Total – printing – shipping – sales tax – Square fee = royalty 15 – 5.45 – 3.49 – .83 – ((15*2.6%) + .15) = 4.69 (or 7.40 if you can buy bulk) 15 – 5.45 – 3.49 – .83 – ((15*3.5%) + .15) = 4.56 (or 7.26 if you can buy bulk) Square also allows you to send invoices. The fees for that are 3.3% + 30¢ (or .795 for a $15 book) per invoice when customers pay with credit or debit online.
The square app also lets you set up tax and mark which items should be taxes, and it will add it to the cost. You can opt to say tax is included on books paid for with cash, check, or Venmo, and then say it’s not included on Square because of the other fees they charge. Or you can still include it. These are all choices you’ll need to make for yourself.
There are other costs to consider – such as if you want to buy swag (either to hand out for free, like bookmarks, or to sell). Also, if you will be attending events, consider what you might have to purchase (you might want a cashbox or bag to hold you cash, to create displays, buy a tablecloth as not all events provide them). I didn’t even go over online sales, which might also include the cost of creating and running ads. You might also require costs such as paying someone to typeset the book or create the cover, not to mention editing. Self-publishing is not a cheap endeavor if done right – but it does allow for the most flexibility and control of any publishing option.
**You can opt to post your book at multiple PODs. You can then buy author copies from a cheaper one (to get that higher royalty) and still have it at a POD that local shops will buy from. Just realize that these copies WILL be different. This is the same book from two different POD companies:
I know I’ve talked about Cave Point a few times overs the years I’ve been writing this blog, but given it’s my favorite place on Earth, I think we should all be surprised I don’t talk about it a whole lot more. ¯\_(ツ)_/¯ A bit ago, I wrote about how I took a drive up and down the Door County Peninsula. I hadn’t planned to stop at Cave Point, but the universe apparently knew I needed it anyway.
Every time I’m there, there’s something new to see, to explore. And this time, it was parts of the land I’ve not seen in…maybe decades. I honestly can’t remember the last time the lake was THIS low:
March 13, 2025
Most often, there isn’t much climbing down to be done because the water is being pushed up against the cliffs themselves – which always makes for an excellent show of perfect splashes. Every now and then, we’re able to climb down a bit along those ledges on the right side of the photo above. (The decision to climb down also depends on the person – some are a bit more adventurous than others. If you ever go, be smart and be safe. You do not want to land in the lake. Also, if you ever go in winter, never go near the edge or attempt to climb if you are not wearing cleats!) This is what it commonly is like when the water is what we would consider low (that’s my friend Jen – she was actually on her way to grab a water bottle someone had left behind [sigh] – always take out what you bring in with you):
June 5, 2021
On a more normal day, the lake is like this – water up to the cliffs making some great splashes (the sound is unreal – provides an absolute reset to one’s nervous system) (again, that’s my friend Jen perched up on that cliff):
October 22, 2022
Another pic of the same sport on a particularly windy day:
April 28, 2024
But my last trek, the water was so low – it was almost nerve wracking how far out I could walk onto the limestone bed. The wind was minimal, so there weren’t really splashes. I should be in water up to my knees standing here and looking back at the trees:
March 13, 2025
One of my fav grabs from another trip – that’s Jen squatting near the splash. We can sit for hours and just watch the water, waiting for the perfect splash. And, sometimes, the lake gets a bit sassy about it.
August 11, 2022
Cave Point is located on the lake side of the Door Peninsula, between Institute and Jacksonport. If you go straight to Cave Point (which is a county park), you do not need a park pass. If you go by way of Whitefish State Dunes, you do need one (as it’s a state park). If you’re up to it, you can park at Cave Point (again, for free) and walk all the way to the dunes (which is a lot easier now that the state park has put in a gravel walking path).
March 13, 2025
For ages, my friend Philip has been posting photos of hearts he finds out in the word. Sometimes, they are intentional hearts. But often they were more like this:
It’s because of him I’ve started noticing them everywhere. It’s another thing Jen and I look for when we go – and we always find a slew of hearts here. So be on the look out if you go. As Philip would say, #LoveIsEverywhere.
Title: The Sing Sing Files Author: Dan Slepian Genre: nonfiction, true crime, sociology Pages: 224 Publication Date: 2024 StoryGraph* Moods: informative, reflective, tense How I Stumbled Upon This Book: Armchair Expert interview Other Books by Slepian: none at the moment, though Slepian has a large body of work as a journalist and working on Dateline *StoryGraph also offers content warnings.
Description: In his work on Dateline, Dan Slepian had the opportunity to ride shotgun with a couple homicide detectives in the Bronx. Through this relationship, Slepian learned of a 1990 murder case for which two men were serving twenty-five years. However, the detective believed the wrong men were serving time (at this point, they had already served twelve years). Slepian began his own investigation into what happened and to find out whether or not these men who claimed to be innocent really were. One of the men in this case, Jon-Adrian “JJ” Velazquez becomes the spine of the book, bringing to Slepian’s attention other men he believed were innocent of the crimes they were convicted of.
While hitting a number of roadblocks (i.e. flaws in the justice system), these men maintained their innocence, and one by one, they were proven to be telling the truth.
This is not an easy read, by any means – but it is a necessary one.
Why I recommend this book: I will start by saying agreeing with a number of reviews about the book – there is a lot in this that paints Slepian as a hero and talks a lot about his own life. This is not a straight nonfiction story about these six men. It is written more as a memoir of the time Slepian spent with them. If that’s not your thing, I get it.
That being said, I do think it is an important read regarding the lives of these specific six men and the ways their journeys point out incredibly serious flaws in the judicial system. There are many books out there that do similar things – this is just the one that crossed my path first.
“A remarkable, moving account about the lives of people who have been too easily discarded, forgotten, and condemned. These compelling narratives help us understand why we should do better when it comes to punishment and justice in America.” ~ Bryan Stevenson, New York Times bestselling author of Just Mercy