Pretober – Voice

When you think of point of view, think of the “central intelligence” of your story – it is the thing that operates the eyes, ears, memory, and revelations, the thing through which your narrative is sifted and makes its progress. It is indicated by the pronouns that we use. In first person, we use I/me.Continue reading “Pretober – Voice”

Pretober – Plotting

Kurt Vonnegut said, ‘I don’t plot my books rigidly, follow a preconceived structure. A novel mustn’t be a closed system – it’s a quest.’ Others, like the author of Room Emma Donoghue, prefer to have a guiding base structure. She notes that ‘Some writers can produce marvelous plots without planning it out, but I can’t.Continue reading “Pretober – Plotting”

Come Sniff Books with Lynda Barry

reposted from my work with UntitledTown I have a confession. In 2009, I didn’t know who Lynda Barry was – I had yet to be introduced to her work. But I was back in Green Bay, a year out of grad school, and desperate to once again be surrounded by writers and artists. So whenContinue reading “Come Sniff Books with Lynda Barry”

Tracking: Plot

I remember early on in my learning about writing stories being taught Freytag’s pyramid: introduction/exposition, rising action, climax, falling action, denouement. At the time, the simple structure made sense and worked just fine with the types of short stories I was writing at the time. As my instruction went on, as my stories became moreContinue reading “Tracking: Plot”

Tracking: Characters

I’m part of a really stellar online, global writing community. I found them, actually, through a workout program, and they were such an unexpected bonus who have become super important in my writer world. We have a private Facebook group where people can ask questions and share resources, and I’ve found questions about a specificContinue reading “Tracking: Characters”